Thursday, 24 May 2007
May 24
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Don Gill, Erratic Space at the Winnipeg Art Gallery. May to July 1 2007.
ERRATIC SPACE: DON GILL May 1 to July 1, 2007
As a visitor to a new city, how does one experience what it is all about? Some people visit museums and art galleries, others take in sporting events and shopping. How can someone from "away" truly get a meaningful impression about what defines and what is unique to a particular place? How long does this process take and how can these impressions be recorded, noted, and shared? Most people create a photo album or scrapbook, some video record, and others diarize,but generally these materials, the residue of a visit, are only for personal use. Does the information change when this activity is made public? These are all questions I mulled over when I invited Lethbridge artist Don Gill to Winnipeg. Over the last three years Gill has taken these informal and personal modes of investigations of a place and pushed them into a thoughtful and even perhaps challenging arena.
During his month-long residency at The Winnipeg Art Gallery, Gill will turn the Mezzanine Gallery into a laboratory of sorts. His experiments will focus on the city of Winnipeg, in particular its visual identity. Using a predetermined methodology, each day the gathering of information will begin anew as he takes different extended walking tours through the city. Using his work space at the Gallery to arrange, organize, and archive his findings, Gill will be available to visitors to engage in conversations that will add to his data and perhaps influence his hypothesis on this urban landscape that is in constant flux. Through the accumulation of information, presented in a variety of formats, such as scrapbooks, photographs, drawings, and videos, Gill will map out points of intersection, continuity and incongruous habitation that are unique to experiencing Winnipeg.
Don Gill received his BFA from the University of Victoria and did his graduate work at the California Institute of the Arts. Since 2000 he has been an Assistant Professor at the University of Lethbridge. He has exhibited his work extensively across Canada and the United States. Erratic Space was performed at the Confederation Centre Art Gallery, Charlottetown, PEI, in 2005.
Mary Reid Curator, Contemporary Art and Photography
2 comments:
Had the opportunity to read Lorne Roberts' review of Erratic Space in May 24th Free Press titled " Alberta Artists' Camera Lens discovers magnificent, mundane" Interesting that Robert seeks but finds "no real art show"...implications of his very humorous response perhaps being that an exhibit requires a polished product to signfy as 'art' in formal gallery like the WAG. I appreciate his scholarly (or CSI?) pursuit of clues...in Gill's garbarge bin, for instance. The review was engaging in terms of its innocence--adopted to aid those less familiar with contemporary Canadian art and conceptualism possibly? Intriguing however that a contained or finished product prevails as the motive of Roberts' search for 'Art.' It kept me pondering how the market sustains our appetite for the tangible object? we have lost all resistance I suspect...loved the fact that the review mentions the visitor Sebastian's (age 8) drawing of Gill--he's on his way to visibility without pressing the matter...
Hi Carol/Don--
Carol-- Thanks for your interesting response to my article about Don's show. A deconstruction of my deconstruction of his deconstruction of Winnipeg. :)
As you say, I am interested in writing to an audience mostly unfamiliar to conceptual art, rather than for those who would walk into Gill's show and immediately "get it" (or at least get its conceptual framework). It's hard to find a balance for both crowds, of course, so I tend to gear my writing towards the layperson more than the scholar.
The questions you raise about Art and the finished product are very interesting, too. I'm still thinking about 'em, especially in light of Don's show/project.
Thanks again...
Lorne Roberts
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